Sandpiper
The roaring alongside he takes for granted,
and that every so often the world is bound to shake.
He runs, he runs to the south, finical, awkward,
in a state of controlled panic, a student of Blake.
The beach hisses like fat, On his left, a sheet
of interrupting water comes and goes
and glazes over his dark and brittle feet.
He runs, he runs straight through it, watching his toes.
-- Watching, rather, the spaces of sand between them,
where (no detail too small) the Atlantic drains
rapidly backwards and downwards. As he runs,
he stares at the dragging grains.
The world is a mist. And then the world is
minute and vast and clear. The tide
is higher or lower. He couldn't tell you which.
His beak is focussed; he is preoccupied,
looking for something, something, something.
Poor bird, he is obsessed!
The millions of grains are black, white, tan, and gray,
mixed with quartz grains, rose and amethyst.
Notes
Bishop watches a tiny shorebird darting across the tide, obsessively scanning the sand grains while taking the roaring ocean completely for granted. It brings a brilliant, detail-oriented lightness to July, showing how intense focus on the minute, immediate world can quiet the overwhelming noise around us. By finding a vast, clear universe in a single patch of wet sand, the poem reminds us that peace often begins when we narrow our gaze to where our feet actually touch the ground. . #poetry #elizabethbishop #beach #sandpiper #summer