The Jacaranda← Back to the archive

Sandpiper

The roaring alongside he takes for granted,
and that every so often the world is bound to shake.
He runs, he runs to the south, finical, awkward,
in a state of controlled panic, a student of Blake.

The beach hisses like fat, On his left, a sheet
of interrupting water comes and goes
and glazes over his dark and brittle feet.
He runs, he runs straight through it, watching his toes.

-- Watching, rather, the spaces of sand between them,
where (no detail too small) the Atlantic drains
rapidly backwards and downwards. As he runs,
he stares at the dragging grains.

The world is a mist. And then the world is
minute and vast and clear. The tide
is higher or lower. He couldn't tell you which.
His beak is focussed; he is preoccupied,

looking for something, something, something.
Poor bird, he is obsessed!
The millions of grains are black, white, tan, and gray,
mixed with quartz grains, rose and amethyst.

Notes

Bishop watches a tiny shorebird darting across the tide, obsessively scanning the sand grains while taking the roaring ocean completely for granted. It brings a brilliant, detail-oriented lightness to July, showing how intense focus on the minute, immediate world can quiet the overwhelming noise around us. By finding a vast, clear universe in a single patch of wet sand, the poem reminds us that peace often begins when we narrow our gaze to where our feet actually touch the ground. . #poetry #elizabethbishop #beach #sandpiper #summer

About the author

Elizabeth Bishop

Elizabeth Bishop was an American poet and short-story writer. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956, the National Book Award winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976. Dwight Garner argued in 2018 that she was perhaps "the most purely gifted poet of the 20th century". She was also a painter, and her poetry is noted for its careful attention to detail; Ernest Hilbert wrote “Bishop’s poetics is one distinguished by tranquil observation, craft-like accuracy, care for the small things of the world, a miniaturist’s discretion and attention."