monthly theme

The Feast

Excess, community, sensory pleasure and celebration.

The Luncheon (1873) · Claude Monet
poetry124 entries
While Eating a Pear

While Eating a Pear

Billy Collins

After we have finished here, the world will continue its quiet turning, and the days and months will pass without the names of Norse and Roman gods. Time will go by the way it did before history, pure and unnoticed, a mystery that arose between the sun and moon before there was a word for dawn or noon or midnight, before there were names for the earth’s uncountable things, when fruit hung anonymously from scattered groves of trees, light on the smooth green side, shadow on the other.
poetry

Where Róisín Kelly’s Oranges burned with fierce, deliberate desire, Billy Collins’s While Eating a Pear steps into the quiet, almost hypnotic trance of taste itself. It anchors August’s theme of Feast, showing that abundance isn't always loud or demanding, sometimes it is simply slowing down to notice how a sweet, quiet moment can pause the entire world. By turning a simple fruit into a landscape of reflection, the poem reminds us that to feast is to let the present pull us completely into its fold. #poetry #existential #time #august #nature

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Oranges

Oranges

Roisin Kelly

I’ll choose for myself next time who I’ll reach out and take as mine, in the way I might stand at a fruit stall having decided to ignore the apples the mangoes and the kiwis but hold my hands above a pile of oranges as if to warm my skin before a fire. Not only have I chosen oranges, but I’ll also choose which orange — I’ll test a few for firmness scrape some rind off with my fingernail so that a citrus scent will linger there all day. I won’t be happy with the first one I pick but will try different ones until I know you. How will I know you? You’ll feel warm between my palms and I’ll cup you like a handful of holy water. A vision will come to me of your exotic land: the sun you swelled under the tree you grew from. A drift of white blossoms from the orange tree will settle in my hair and I’ll know. This is how I will choose you: by feeling you smelling you, by slipping you into my coat. Maybe then I’ll climb the hill, look down on the town we live in with sunlight on my face and a miniature sun burning a hole in my pocket. Thirsty, I’ll suck the juice from it. From you. When I walk away I’ll leave behind a trail of lamp-bright rind.
poetry

Yesterday we covered From Blossoms where Li-Young Lee found sacred communion in the gift of sweet fruit; Róisín Kelly’s Oranges turns that same table toward intentional, fierce desire. It anchors August’s theme of Feast by showing that to choose what, and who we take into our lives is an act of sensory warmth, agency, and ritual. By leaving a trail of lamp-bright rind behind, the poem reminds us that true abundance is found when we select the sun for ourselves and let its sweetness linger. . #poetry #zine #oranges #feast #fruit

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From Blossoms

From Blossoms

Li-Young Lee

From blossoms comes this brown paper bag of peaches we bought from the boy at the bend in the road where we turned toward signs painted Peaches. From laden boughs, from hands, from sweet fellowship in the bins, comes nectar at the roadside, succulent peaches we devour, dusty skin and all, comes the familiar dust of summer, dust we eat. O, to take what we love inside, to carry within us an orchard, to eat not only the skin, but the shade, not only the sugar, but the days, to hold the fruit in our hands, adore it, then bite into the round jubilance of peach. There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing to wing, from blossom to blossom to impossible blossom, to sweet impossible blossom.
poetry

Li-Young Lee traces the path of a single peach from blossom to roadside stand, turning the act of eating fruit into a sacred, sensory communion with life itself. It anchors August's theme of Feast, showing that to taste something fully is to devour the sun, the rain, and the sweet, fleeting weight of being alive. By honoring the nectar of the everyday, the poem reminds us that every bite of summer is a quiet, joyful celebration of existence. . #poetry #nature #fruit #peach #blossom

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Carrot

Carrot

Leah Naomi Green

Take all summer, your ember from the sun, its walking meditation. Store it in small vaults of light to keep the rest of us when winter seals around each day. We'll flicker to the table. We'll gather to your orange flame.
poetry

Leah Naomi Green finds the heat of the sun hidden underground, turning a simple root into a stored ember of summer light. It anchors August's theme of Feast, showing that abundance isn't just what spills across the table, but the patient warmth gathered from the earth to sustain us. By honoring the quiet alchemy of nourishment, the poem reminds us that every humble, gathered meal holds an inner flame meant to be shared. . #poetry #summer #august #carrot #feast

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Almost Forty

Almost Forty

Ada Limón

The birds were being so bizarre today, we stood static and listened to them insane in their winter shock of sweet gum and ash. We swallow what we won’t say: Maybe it’s a warning. Maybe they’re screaming for us to take cover. Inside, your father seems angry, and the soup’s grown cold on the stove. I’ve never been someone to wish for too much, but now I say, I want to live a long time. You look up from your work and nod. Yes, but in good health. We turn up the stove again and eat what we’ve made together, each bite an ordinary weapon we wield against the shrinking of mouths.
poetry

Ada Limón sits with the tender, ripening weight of middle age, turning time into a feast of presence rather than a tally of loss. It anchors August's theme, showing that the real banquet is learning to inhabit the skin we are in, that is, messy, alive, and fully present. By leaning into the sensory warmth of becoming, the poem reminds us that to feast is to claim the sweetness of our own arrival. . #poetry #forty #birthday #life #spirit

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Tomatoes

Tomatoes

Joy Sullivan

I waited so long for love and suddenly, here it is standing in the garden, hands full of heirlooms hot from the sun. Soon we’ll make a supper of them. Salted slabs between slices of bread. Your beard silvers. My hips ripen. The mail piles up. Phone calls go unanswered. Forgive us. Our mouths are full of tomatoes. We are so busy being small and hungry and alive.
poetry

No better way to kick this month off than by this poem by Joy Sullivan. The poem sinks into the sun-warmed, heavy flesh of August, where simple food and shared presence turn a humble garden yield into an unhurried banquet. It grounds August's theme of Feast, showing that abundance isn't found in grand, distant spectacles, but in the ripe, sensory joy already sitting on our kitchen counters. By celebrating the messy, tangible weight of being fully present, the poem reminds us that to feast is simply to let ourselves be nourished by the sweetness right in front of us. . #poetry #feast #tomato #summer #abundance

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issue 07July 2026Lightness
How It Seems To Me

How It Seems To Me

Ursula K. Le Guin

In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self and both are free and can return to vastness and dissolve in light, the long light after time.
poetry

Le Guin traces the slow journey of the self, from a misty origin to a hard stone, until time finally lightens the soul enough to let go of its rigid ego. It offers a deeply comforting, spacious lightness for July, framing aging and letting go not as a loss, but as the ultimate release into freedom. By gently unburdening us from the heavy demand to maintain a fixed identity, the poem invites us to dissolve into the long, tranquil light after time. . #poetry #soul #time #life #ursulakleguin

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Sandpiper

Sandpiper

Elizabeth Bishop

The roaring alongside he takes for granted, and that every so often the world is bound to shake. He runs, he runs to the south, finical, awkward, in a state of controlled panic, a student of Blake. The beach hisses like fat, On his left, a sheet of interrupting water comes and goes and glazes over his dark and brittle feet. He runs, he runs straight through it, watching his toes. -- Watching, rather, the spaces of sand between them, where (no detail too small) the Atlantic drains rapidly backwards and downwards. As he runs, he stares at the dragging grains. The world is a mist. And then the world is minute and vast and clear. The tide is higher or lower. He couldn't tell you which. His beak is focussed; he is preoccupied, looking for something, something, something. Poor bird, he is obsessed! The millions of grains are black, white, tan, and gray, mixed with quartz grains, rose and amethyst.
poetry

Bishop watches a tiny shorebird darting across the tide, obsessively scanning the sand grains while taking the roaring ocean completely for granted. It brings a brilliant, detail-oriented lightness to July, showing how intense focus on the minute, immediate world can quiet the overwhelming noise around us. By finding a vast, clear universe in a single patch of wet sand, the poem reminds us that peace often begins when we narrow our gaze to where our feet actually touch the ground. . #poetry #elizabethbishop #beach #sandpiper #summer

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The Lake Isle of Innisfree

The Lake Isle of Innisfree

W.B. Yeats

I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.
poetry

Yeats turns toward a quiet, imagined island in Sligo, where a simple cabin of clay and wattles offers sanctuary from the gray pavement and urban noise. It brings a deeply tranquil lightness to July's theme, showing that peace isn't something we must travel far to find, but a quiet space we can carry within us wherever we go. By tuning into the soft water lapping with low sounds by the shore, the poem reminds us that true freedom begins when we listen to the deep heart’s core. #poetry #wbyeats #summer #island #night

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Flight

Flight

Jorge Guillén

Through summer air The ascending gull Dominates the expanse, the sea, the world Under the blue, under clouds Like the whitest wool-tufts, And supreme, regal, It soars. All of space is a wave transfixed. White and black feathers Slow the ascent, Suddenly slipping on the air, On the vast light. It buoys up the whiteness of the void. And suspended, its wings abandon themselves To clarity, to the transparent depths Where flight, with stilled wings, Subsists. Gives itself entirely to its own delight, its falling, And plunges into its own passing— A pure instant of life.
poetry

Guillén distills the physical rush of movement into pure, weightless light, catching the exact instant where gravity dissolves and sky takes over. It brings a crisp, luminous elegance to July’s theme of lightness, showing that true freedom isn't an escape from reality, but an absolute, joyous immersion in the present moment. By elevating motion into pure form and air, the poem invites us to shed our earthbound heavy thoughts and simply soar. . #poetry #nature #bird #flight #sea

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Orchards In July

Orchards In July

Zbigniew Machej

Waters from cold springs and glittering minerals tirelessly wander. Patient, unceasing, they overcome granite, layers of hungry gravel, iridescent precincts of clay. If they abandon themselves to the black roots it's only to go up, as high as possible through wells hidden under the bark of fruit trees. Through the green touched with gray, of leaves, fallen petals of white flowers with rosy edges, apples heavy with sweet redness and their bitterish seeds. O, waters from cold springs and glittering minerals. You are awaited by a cirrus with a fluid sunny outline and by an abyss of blue which has been rinsed in the just wind.
poetry

Machej traces the quiet, luminous journey of cold spring waters rising through dark roots into heavy summer fruit, ascending toward an endless blue sky. It perfectly embodies July's theme of lightness, framing natural growth as an effortless upward movement where earthbound weight naturally transforms into fluid air and sunlight. By celebrating this quiet ascent from soil to cloud, the poem invites us to let go of our own heavy roots and surrender to the open, luminous sky. . #nature #water #poetry #july #orchards

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Living

Living

Denise Levertov

The fire in leaf and grass so green it seems each summer the last summer. The wind blowing, the leaves shivering in the sun, each day the last day. A red salamander so cold and so easy to catch, dreamily moves his delicate feet and long tail. I hold my hand open for him to go. Each minute the last minute.
poetry

Levertov zeroes in on the delicate, icy touch of a red salamander moving across an open palm, using that fleeting moment to reveal how precious and fragile every single day really is. It grounds July’s theme of lightness in the gentle act of unclenching our hands and letting life pass through without trying to possess or hold on to it. By reminding us that each minute might be the last, the poem turns the quiet acceptance of impermanence into our sweetest, most liberating form of peace. #poetry #living #july #summer #nature

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Four in the Morning

Four in the Morning

Wislawa Szymborska

The hour from night to day. The hour from side to side. The hour for those past thirty. The hour swept clean to the crowing of cocks. The hour when earth betrays us. The hour when wind blows from extinguished stars. The hour of and-what-if-nothing-remains-after-us. The hollow hour. Blank, empty. The very pit of all other hours. No one feels good at four in the morning. If ants feel good at four in the morning –three cheers for the ants. And let five o’clock come if we’re to go on living.
poetry

Szymborska zeroes in on that suspended, ghostly hour when night hasn't yet surrendered to day, capturing a quiet threshold where time itself seems to hold its breath. It brings a subtle, haunting lightness to July’s theme, reminding us that there is a brief moment every night when we exist entirely unburdened by the world's expectations and roles. By mapping this liminal space between sleeping and waking, the poem invites us to step into the unmeasured air of simple, unadorned existence. . #poetry #4am #5am #lightness #summer

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In Praise of Self-Deprecation

In Praise of Self-Deprecation

Wislawa Szymborska

The buzzard has nothing to fault himself with. Scruples are alien to the black panther. Piranhas do not doubt the rightness of their actions. The rattlesnake approves of himself without reservations. The self-critical jackal does not exist. The locust, alligator, trichina, horsefly live as they live and are glad of it. The killer whale’s heart weighs one hundred kilos but in other respects it is light. There is nothing more animal-like than a clear conscience on the third planet of the Sun.
poetry

Szymborska turns her razor-sharp irony onto the terrifying perfection of the natural world, where predators move with absolute, unbothered certainty while we are left carrying the quiet weight of human conscience. It fits seamlessly into July’s theme of lightness by suggesting that true freedom isn't about achieving a cold, unblemished peace of mind, but accepting our messy, second-guessing nature. By reminding us that even a killer whale’s heart weighs a hundred kilos, the poem invites us to unclench, laugh at our own heavy self-doubt, and step lightly into being human. #poetry #lightness #july #selfhelp #positivity

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All That Wanting, Right?

All That Wanting, Right?

Devin Kelly

I wanted a poem to come out of my sadness, but no poem came. I wanted a revolution to come out of my burnout, but no revolution came. I wanted a bird to fly through my open window, but my window was closed. I wanted sun on an evening when it was already dark. I wanted just a bit of grief rather than despair. &, in my shame, I wanted my childhood back. I wanted to walk backward out of the room where I kept my secrets. I wanted to say I’m hurt before my hurt became a character trait I told no one but myself. When I wanted unknowing, I was given certainty, & when I wanted the hard & fixed line, I was given mystery. Sometimes, I wanted to give it all back, but to who, I wondered, & how? I wanted a life to come out of my life, but instead I was left with my life. All that wanting, I think now, & still I woke this morning to light & the memory of the time a bird did fly through the open window of my apartment, &, scared & senseless, shat all over the couch before leaving. All that wanting, right? Sometimes it happens & sometimes it doesn’t & sometimes it happens worse. Make do, little friend I call myself. Walk backward out of the room you have made out of your wanting into the room of where you are. The poem is here. The revolution, too. & love, still, even in the evening, when light still shines.
poetry

Kelly captures the quiet exhaustion of constant wanting demanding that our burnout turn into revolution, or our sadness into poetry only to be left holding the unglamorous weight of everyday life. It anchors July's theme of lightness by urging us to walk backward out of the heavy rooms we construct from our unmet desires and step simply into the room of where we actually are. By finding grace in the messiness of what is, the poem reminds us that the art, the revolution, and the love we are searching for were already waiting right here in the present moment all along. #poetry #overcoming #revolution #life #romantic

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Mercy

Mercy

Joy Sullivan

Once, we were grilling zucchini from the garden. It was summertime and I was about to leave you. A praying mantis landed on the grill. He was bright and beautiful even as he fizzled and I burned all my fingertips trying to save him. You can’t tell when an insect is in pain but he must have been and you put him in the grass so softly where I found and stomped him. And I think it surprised us what we each defined as mercy.
poetry

Sullivan captures that sudden, painful realization of how two people in love can hold entirely different definitions of compassion when faced with suffering. It grounds July’s exploration of lightness in a quiet, haunting moment, showing how even our most desperate attempts to be kind, whether burning our fingers to save a life or stepping in to end its pain can reveal the unbridgeable distance between us. By turning a simple summer afternoon on its head, the poem reminds us that true mercy isn't always gentle, and breaking free often begins when we finally see each other clearly. #poetry #difference #mercy #summer #mantis

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For the young who want to

For the young who want to

Marge Piercy

Talent is what they say you have after the novel is published and favorably reviewed. Beforehand what you have is a tedious delusion, a hobby like knitting. Work is what you have done after the play is produced and the audience claps. Before that friends keep asking when you are planning to go out and get a job. Genius is what they know you had after the third volume of remarkable poems. Earlier they accuse you of withdrawing, ask why you don’t have a baby, call you a bum. The reason people want M.F.A.’s, take workshops with fancy names when all you can really learn is a few techniques, typing instructions and some- body else’s mannerisms is that every artist lacks a license to hang on the wall like your optician, your vet proving you may be a clumsy sadist whose fillings fall into the stew but you’re certified a dentist. The real writer is one who really writes. Talent is an invention like phlogiston after the fact of fire. Work is its own cure. You have to like it better than being loved.
poetry

Lately I've been feeling whether my creative efforts, or err hobbies, (yes, I'm afraid to call it work) amounts to anything, and Piercy has an answer for me, and all of us who are in this boat. She strips away the paralyzing, state-driven expectation of institutional validation, reminding us that being a writer or artist isn't a title bestowed by others, but simply the quiet, persistent act of doing the work itself. By cutting through our self-doubt and unburdening us from the heavy demand for external approval, the poem invites us to step into the ultimate lightness: creating purely because the work demands to exist. . #poetry #writing #writersblock #overcoming #july

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Freedom

Freedom

Langston Hughes

Freedom will not come Today, this year Nor ever Through compromise and fear. I have as much right As the other fellow has To stand On my two feet And own the land. I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I’m dead. I cannot live on tomorrow’s bread. Freedom Is a strong seed Planted In a great need. I live here, too. I want my freedom Just as you.
poetry

Standing in solidarity with students in Delhi taking to the streets to demand justice, Hughes’s "Freedom" echoes across time as a fierce refusal to accept state delays, hollow promises, or compromise. It grounds July’s spirit of breaking free in an urgent, uncompromising present, declaring that true liberation is a vital necessity that cannot be doled out in slow, comfortable installments. By insisting that rights belong to us now rather than at some distant point of political convenience, the poem serves as a timeless anthem for every youth movement standing tall against authority. . #poetry #delhi #summer #freedom #youth

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Hold It Down

Hold It Down

Gina Myers

It's 70 degrees outside but in the drugstore Christmas music plays over the speakers as I stand in line balancing my checkbook in my head, stretching things thin until my next paycheck when the rent is due. The security guard cracks a joke, but I wasn't paying attention, so I just smile & step forward in line. Images move across the screen. When I think about money it seems impossible. All over the country people are moving into the streets & we're here in Atlanta starting a new life. Darkness surrounds the latest revision of our shared history. Everything clouded. Yesterday I couldn't tear myself from the news & already today the events have been distorted, the numbers downplayed. It's late fall & in the early morning crispness, the leaves fall from the trees & cover the sidewalks. This new feeling we lack a name for, struggle manifested in the streets & in parks & on bridges across the nation. The headlines read "Protesters clash with police," but as we watched the live stream, we saw aggression only by officers dressed in riot gear. We saw people tossed on the ground, hit with batons, a woman punched in the face, an eighty-four year old woman's face drenched in pepper spray. The images endless in this land of the free. I'm losing focus, distracted by the newsfeed on the computer screen, hitting refresh. The cat paws at my leg, demands its own attention. This shift entirely unexpected but necessary. Leaves blot the window. Every so often I leave & start from scratch, imagine damaged relationships & sick cities where there was no damage & no sickness greater than anywhere else. In Atlanta, everyone drives. The bartender called us "hardcore" when we said we'd walked there. She said, "No one in Atlanta walks anywhere." Walking home from work in post-daylight savings time darkness I pass no one on the sidewalks. I pass the traffic backed up by the stoplight. The weekend passes too quickly— I wish it would last longer, which is what this all is really about: time & my lack of control over it, my inability to do what I want with it. And there's a greater futility at work here too—a greater frustration in my inability to control my environment or to stop my country from killing its citizens. The police beat people standing still, linking arms, holding cardboard signs. Each day I think more & more about the past, about where things began to go wrong, where I, too, began to go wrong. Before I moved, before I got sick, before I unfriended you on Facebook, before I decided I no longer loved you, before New York, before college—thinking back to childhood when we could run fearless through the neighborhood at night, when we didn't think about the future, when we loved our country because we didn't know better.
poetry

//july//lightness// #poetry #delhi #protests #youth #empowerment

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Spider

Spider

Andrea Gibson

All of my pain is a spider I’ve learned not to crush with the heel of my shoe but to guide with a page of my journal into an empty glass. I ask questions about its life, its purpose as I walk careful out to the garden and rest it down on the earth. My pain—how happy it is to leave me whenever I treat it kind.
poetry

Following the survival strategy of "Instead of Depression," Gibson’s "Spider" directly confronts our internal pain and sorrow, personifying a heavy, creeping grief as a small, fragile houseguest. It beautifully serves July's theme of lightness by demonstrating that we don't have to violently crush or run away from our darkest feelings; instead, we can choose to sit quietly alongside them. By defusing the terrifying weight of suffering through a gentle, almost tender truce, the poem reminds us that sorrow loses its paralyzing power the moment we stop fighting it and allow it to simply exist. . #summer #pain #poetry #sorrow #moving

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Instead of Depression

Instead of Depression

Andrea Gibson

try calling it hibernation. Imagine the darkness is a cave in which you will be nurtured by doing absolutely nothing. Hibernating animals don’t even dream. It’s okay if you can’t imagine Spring. Sleep through the alarm of the world. Name your hopelessness a quiet hollow, a place you go to heal, a den you dug, Sweetheart, instead of a grave.
poetry

Gibson beautifully reframes a heavy, paralyzing mental fog by actively choosing to populate the emptiness with small, weightless fragments of wonder. It serves as a vital testament to July's philosophy of lightness, showing that when the mind feels utterly crushed by its own shadows, survival is found in the quiet, radical act of looking at a blade of grass or a passing cloud. By shifting the focus from a suffocating internal weight to the fragile, beautiful details of the outside world, the poem reminds us that we can gently unburden the heart simply by allowing ourselves to notice the small sparks of life still happening around us. #poetry #depression #positivelife #life #summer

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The Problem of Writing Poems in Hot Weather

The Problem of Writing Poems in Hot Weather

Brian Bilston

The problem of writingpoems inhot weather isthatthe words getsweaty and sticktogether. — BrianBilston
poetry

//invocation//lightness// #poetry #summer #sticky

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The Cave

The Cave

Jenny George

Someone strikes a match. Briefly the earth is illuminated. Then it goes out, just the drifting flare of memory. But our eyes hold it—for a while it will be all we can see, the dark will stream with it, the nerves will salvage back the light until they can’t and we are bodies again.
poetry

George captures a profound sense of lightness by reducing the vast, heavy darkness of existence to the fragile span of a single struck match. It fits seamlessly into July’s philosophy, illustrating that clarity does not need to be a permanent, solid monument; instead, it is found in the fleeting moments our nerves work to salvage the light after it vanishes. By showing how the mind can weightlessly carry a drifting spark through the deep dark, the poem reminds us that our return to the heavy reality of being mere bodies is not a defeat, but a graceful settling back into the earth. . #poetry #lightness #summer #light #existential

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The Sun

The Sun

Mary Oliver

Have you ever seen anything in your life more wonderful than the way the sun, every evening, relaxed and easy, floats toward the horizon and into the clouds or the hills, or the rumpled sea, and is gone– and how it slides again out of the blackness, every morning, on the other side of the world, like a red flower streaming upward on its heavenly oils, say, on a morning in early summer, at its perfect imperial distance– and have you ever felt for anything such wild love– do you think there is anywhere, in any language, a word billowing enough for the pleasure that fills you, as the sun reaches out, as it warms you as you stand there, empty-handed– or have you too turned from this world– or have you too gone crazy for power, for things?
poetry

After traveling from the untamed, mechanical energy of Larkin’s "Solar" to the sun-bleached, modern surrender of Lorde’s Solar Power, Mary Oliver’s "The Sun" brings us to the ultimate point of spiritual stillness. It offers a breathtaking anchor for July's lightness by asking a beautifully simple question, whether we have ever felt anything more magnificent than the daily, generous return of dawn. By urging us to look away from the heavy, cluttered complications of our own making, the poem unburdens the soul, inviting us to throw open our arms and accept the wild, free gift of the world's light. #poetry #maryoliver #sun #summer #july

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My gaze is clear like a sunflower

My gaze is clear like a sunflower

Fernando Pessoa

My gaze is clear like a sunflower. It is my custom to walk the roads Looking right and left And sometimes looking behind me, And what I see at each moment Is what I never saw before, And Iʾm very good at noticing things. Iʾm capable of feeling the same wonder A newborn child would feel If he noticed that heʾd really and truly been born. I feel at each moment that Iʾve just been born Into a completely new world … I believe in the world as in a daisy, Because I see it. But I donʾt think about it, Because to think is to not understand. The world wasnʾt made for us to think about it (To think is to have eyes that arenʾt well) But to look at it and to be in agreement. I have no philosophy, I have senses… If I speak of Nature itʾs not because I know what it is But because I love it, and for that very reason, Because those who love never know what they love Or why they love, or what love is. To love is eternal innocence, And the only innocence is not to think…
poetry

Pessoa captures the ultimate state of zen-like presence, stripping the act of seeing of all heavy intellectual analysis and philosophical baggage. It serves as a vital anchor for July’s exploration of lightness, demonstrating that true freedom begins when we stop forcing complex meanings onto a world that simply wants to exist. By celebrating a gaze that is completely unburdened by memory, worry, or hidden motives, the poem invites us to look at reality with the clean, uncomplicated transparency of a sunflower turning toward the light. #poetry #pessoa #Portuguese #experience #self

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Praising Spring

Praising Spring

Linda Gregg

The day is taken by each thing and grows complete. I go out and come in and go out again, confused by a beauty that knows nothing of delay, rushing like fire. All things move faster than time and make a stillness thereby. My mind leans back and smiles, having nothing to say. Even at night I go out with a light and look at the growing. I kneel and look at one thing at a time. A white spider on a peony bud. I have nothing to give, and make a poor servant, but I can praise the spring. Praise this wildness that does not heed the hour. The doe that does not stop at dark but continues to grow all night long. The beauty in every degree of flourishing. Violets lift to the rain and the brook gets louder than ever. The old German farmer is asleep and the flowers go on opening. There are stars. Mint grows high. Leaves bend in the sunlight as the rain continues to fall.
poetry

While yesterday's look at "Grinding the Lens" showed us the rigorous, patient labor required to clear away the heavy distortions of the ego, "Praising Spring" captures the exact moment that hard-won transparency meets the world. It serves as a beautiful continuation of July's lightness, shifting from the quiet discipline of clearing our internal sight to the pure, unburdened joy of witnessing a stark reality bloom without our interference. By stepping into a landscape freed from past ghosts, Gregg reminds us that the ultimate reward of a polished, empty mind is the capacity to let the present hour stream through in all its fragile, unfiltered clarity. #poetry #summer #spring #nature #beauty

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Solar

Solar

Philip Larkin

Suspended lion face Spilling at the centre Of an unfurnished sky How still you stand, And how unaided Single stalkless flower You pour unrecompensed. The eye sees you Simplified by distance Into an origin, Your petalled head of flames Continuously exploding. Heat is the echo of your Gold. Coined there among Lonely horizontals You exist openly. Our needs hourly Climb and return like angels. Unclosing like a hand, You give for ever.
poetry

Larkin breaks from his characteristic cynical detachment to offer a rare, uncharacteristic hymn of praise to the sun, viewing it as an untamed, self-yielding engine of pure light. It introduces a brilliant, blinding warmth to July’s philosophy of lightness, celebrating a cosmic force that continuously spends its immense energy without demanding a return or hoarding its wealth. By focusing on a magnificent presence that remains entirely unburdened by human anxiety or ego, the poem invites the self to look upward, drop its heavy defenses, and simply bask in an untethered, perpetual gift. . #poetry #philiplarkin #sun #solar #summer

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Grinding the Lens

Grinding the Lens

Linda Gregg

I am pulling myself together. Don’t want to go on a trip. I have painted the living room white and taken out most of my things. The room has never been so empty. Just now a banging thunder and suddenly falling rain. I leave the typewriter and run outside in my nightgown and take the cotton blanket off the line. It is summer and I am in the middle of my life. Alone and happy.
poetry

The poem tracks the meticulous, quiet labor of polishing away the cloudy imperfections of a surface until it becomes entirely transparent to the world's light. It aligns perfectly with July's philosophy of lightness, demonstrating that true clarity is a process of subtraction; patiently scraping away the heavy, distorted layers of our own egos and preconceptions. By transforming a repetitive, earthly task into a pursuit of pure vision, it reminds us that the mind becomes truly unburdened when it stops projecting its own internal shadows and simply allows reality to stream through unfiltered. #poetry #summer #unburdened #nature #beauty

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Who Are We?

Who Are We?

Kathleen Raine

Not that I remember, but that I am Memory, am all that has befallen Unbroken being and knowing Whose flow has brought me here, laden with the forgotten Times and places, once here and now Of those who were, from day to day, From life to life, as I, Presences of that omnipresence without end or beginning, Omniscient through our being, That brings and takes away the unremembered living Moments of joy and wisdom, the once-familiar Rooms and temples and fountains, the long-ago gardens Of a thousand summers, music once heard, Travelling through me and on, like a wave Of sound, a gleam Irrecapturable. And who are we Who gather each one leaf, one life of the myriad fold tree Of the lost domain, and mourn The flowing away of all we never were, or knew? Promises, messages reach us, instruct us, The untold, the untellable, undying Heart’s desire, resonance Of elsewhere, once, some day, for ever.
poetry

Raine reframes human identity not as a heavy, static vessel of personal history, but as a fluid conduit through which an "irrecapturable" wave of universal experience temporarily passes. It introduces a sublime, cosmic lightness to the July curation, suggesting that the self is simply a single leaf on a myriadfold tree, fundamentally unburdened by the exhausting need to possess or permanently anchor the passing hours. By shifting our perspective from the claustrophobic grief of individual loss to the vast, ongoing current of an eternal omnipresence, the poem allows the guarded ego to dissolve gracefully into a weightless resonance of the infinite. . #poetry #existential #spiritual #lightness #life

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The Coming of Light

The Coming of Light

Mark Strand

Even this late it happens: the coming of love, the coming of light. You wake and the candles are lit as if by themselves, stars gather, dreams pour into your pillows, sending up warm bouquets of air. Even this late the bones of the body shine and tomorrow’s dust flares into breath.
poetry

Strand strips away all poetic excess to capture a profound moment of stillness, where the simple, gathering illumination of the sky becomes a quiet salvation. It beautifully maps onto July’s philosophy of lightness, showing that we do not need to endlessly pursue meaning; rather, we must learn to patiently yield to the world as it unfolds. By focusing on how a single, fleeting dawn can completely unburden the mind of its overnight shadows, the poem reminds us that true clarity is not something we build, but something we gracefully let in. #poetry #markstrand #modernist #light #love

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Blame It On Summer

Blame It On Summer

Linda Rodriguez

that I smile too widely, grinning really, and laugh too loud and often; that I walk with spring and sensual sway; that I stretch myself and twist like a cat baking in the backyard brightness; that my brain is sun-bleached, all rule and thought boiled away, leaving only sensory steam; that my feverish eyes see strange dancing flames in afternoon shadows along the sides of streets and Bedouin oases, fragrant with dates and goats and acrid desert waters, in every suburban garden we pass while you argue and drive and I stare, heavy-brained with heat and too aware of my own body and every other; that I take a lover, brazenly, crazily, too sun-stupid to be careful, in my dreams.
poetry

Rodriguez captures the intoxicating, heat-soaked surrender of a mind bleached of all rigid rules and societal thought by the blinding midsummer sun. It serves as a beautifully visceral anchor for July, illustrating a radical lightness where all intellectual anxieties dissolve entirely into pure, instinctual sensory steam. By celebrating a state of being so "sun-stupid" that the heavy, guarded ego completely melts away, the poem unburdens the self, inviting us to boldly and unapologetically exist inside the fleeting freedom of our own bodies; that sometimes all of us should. . #poetry #summer #heat #modernist #post-modernist

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Baucis

Baucis

Italo Calvino

poetry

The Calvino city that best represents The Jacaranda’s theme for July (Lightness) is Baucis. A city built not upon the heavy foundations of the earth, but suspended entirely on spindly, delicate stilts that rise high above the clouds, where the inhabitants choose to live in absolute detachment from the ground. The inhabitants do not live in a dense, suffocating settlement; they live in a geometric web, where every platform and wireframe structure is a weightless monument to the art of staying unburdened. In Baucis, lightness is entirely structural. To wander its elevated pathways is to glide over reality from above, a peaceful, fluid friction against a world that is always slipping away beneath the mist. Awareness in Baucis is not a moment of heavy paralysis, but a realization of the ether: the understanding that the self can stop fighting its own structural void and learn to comfortably inhabit it, leaving the ego entirely unanchored to dance within the margins of a transient hour. Featured alongside it is Lyonel Feininger’s Church of the Minorities II (1926). Feininger uses overlapping, translucent planes of light and intersecting geometric rays to create a world where space itself feels like a crystal prism. In these Prisma-Cubist canvases, the towering architectural walls do not depict stone density; they embody the cool, airy release of psychic tension, mimicking the gravity-defying grid of Baucis. The soaring perspectives and dematerialized lines feel less like a real building and more like a constellation of energy. A visual architecture of release that forces the viewer to see the landscape as an echo chamber of a profound, weightless clarity. Feininger’s avant-garde lens echoes Baucis’s liberating logic. The sharp, luminous intersections and see-through horizons create a sanctuary of time where the "I" is swallowed by the pure joy of the passing spark. It is the rhythmic, silent pulse of a city that exists only through its absence from the ground, a sky-bound, sun-bleached haven that reminds us that to refuse to be weighed down by gravity is to find oneself permanently liberated within the architecture of the air. . #italocalvino #expressionist

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A Minor Bird

A Minor Bird

Robert Frost

I have wished a bird would fly away, And not sing by my house all day; Have clapped my hands at him from the door When it seemed as if I could bear no more. The fault must partly have been in me. The bird was not to blame for his key. And of course there must be something wrong In wanting to silence any song.
poetry

Frost confronts our human impulse to silence the persistent, messy rhythms of the world when they clash with our personal anxieties, tracking his own regret for wanting to shoo away a singing bird. It serves as a beautiful micro-meditation on July's philosophy, demonstrating that heavy burdens often stem from our own desire to control and tidy up a transient reality. By ultimately declaring that there is something deeply wrong with silencing any expression of life, the poem invites the self to drop its rigid defenses, step out of its own head, and gracefully co-exist with the unburdened music passing through the hour. . #poetry #robertfrost #romantic #nature #music

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The Wish to Be Generous

The Wish to Be Generous

Wendell Berry

All that I serve will die, all my delights, the flesh kindled from my flesh, garden and field, the silent lilies standing in the woods, the woods, the hill, the whole earth, all will burn in man's evil, or dwindle in its own age. Let the world bring on me the sleep of darkness without stars, so I may know my little light taken from me into the seed of the beginning and the end, so I may bow to mystery, and take my stand on the earth like a tree in a field, passing without haste or regret toward what will be, my life a patient willing descent into the grass.
poetry

Berry tracks the liberating moment the self stops trying to possess, control, or master its own creations, choosing instead to surrender them to the unpredictable currents of the world. It beautifully anchors July’s focus on the art of staying unburdened, showing that our heaviest anxieties often come from the frantic effort to guard and defend what we claim as ours. By transforming the act of letting go into a radical, generative gift, the poem unburdens the soul, proving that true lightness is found when we finally allow ourselves to flow freely into the passing landscape without demanding anything in return. . #poetry #unburden #romantic #existential #nature

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Of Mere Being

Of Mere Being

Wallace Stevens

The palm at the end of the mind, Beyond the last thought, rises In the bronze decor, A gold-feathered bird Sings in the palm, without human meaning, Without human feeling, a foreign song. You know then that it is not the reason That makes us happy or unhappy. The bird sings. Its feathers shine. The palm stands on the edge of space. The wind moves slowly in the branches. The bird's fire-fangled feathers dangle down.
poetry

Stevens positions us at the very palm at the end of the mind, where a gold-feathered bird sings in a landscape completely stripped of human baggage and intellect. Written at the end of his life, it represents the absolute zenith of creative lightness. The human imagination distilled to its pure essence, creating art that exists entirely for its own sake, unmoored from the heavy responsibility of carrying a message. By showing that this bird sings without any desire to console or explain, the poem invites us to drop our frantic pursuit of purpose and simply exist, weightless and bright, in the passing current of being. #modernist #poetry #wallacestevens #writing #existential

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Thank You

Thank You

Ross Gay

If you find yourself half naked and barefoot in the frosty grass, hearing, again, the earth's great, sonorous moan that says you are the air of the now and gone, that says all you love will turn to dust, and will meet you there, do not raise your fist. Do not raise your small voice against it. And do not take cover. Instead, curl your toes into the grass, watch the cloud ascending from your lips. Walk through the garden's dormant splendor. Say only, thank you. Thank you.
poetry

Gay transforms a sudden, public moment of shared laughter into a radical sanctuary of relief from the heavy anxieties of the world. It perfectly mirrors the July philosophy, showing that staying unburdened is not about hiding from reality, but actively choosing the grace of an unexpected, fleeting connection. By celebrating the effortless weightlessness born from communal joy, the poem serves as a brilliant reminder that a simple, passing moment of gratitude is enough to dissolve our daily gravity. #poetry #self #dread #existential #gratitude

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Otherwise

Otherwise

Jane Kenyon

I got out of bed on two strong legs. It might have been otherwise. I ate cereal, sweet milk, ripe, flawless peach. It might have been otherwise. I took the dog uphill to the birch wood. All morning I did the work I love. At noon I lay down with my mate. It might have been otherwise. We ate dinner together at a table with silver candlesticks. It might have been otherwise. I slept in a bed in a room with paintings on the walls, and planned another day just like this day. But one day, I know, it will be otherwise.
poetry

Kenyon quietly chronicles the weightless ease of an ordinary day: eating cereal, walking the dog, sleeping beside her lover; while undercurrents of the transient clock pulse through every stanza. It offers a perfect baseline for July's lightness, reminding us that everyday peace is a radical gift precisely because it exists on the edge of a sudden change. By punctuating each simple comfort with the line, "it might have been otherwise," the poem untethers the self from the illusion of a permanent tomorrow, forcing us to hold the passing hour with a deep, unburdened gratitude. #poetry #july #zine #life #literature

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When I am Among the Trees

When I am Among the Trees

Mary Oliver

When I am among the trees, especially the willows and the honey locust, equally the beech, the oaks and the pines, they give off such hints of gladness. I would almost say that they save me, and daily. I am so distant from the hope of myself, in which I have goodness, and discernment, and never hurry through the world but walk slowly, and bow often. Around me the trees stir in their leaves and call out, “Stay awhile.” The light flows from their branches. And they call again, “It’s simple,” they say, “and you too have come into the world to do this, to go easy, to be filled with light, and to shine.”
poetry

Oliver captures the total dissolution of human anxiety the moment we step into the quiet, unburdened presence of the woods. The trees do not demand achievement or performance; instead, they offer a gentle, green reminder that our only true work is to be glad, light, and open to the passing hour. It is a beautiful anchor for July, showing that when we strip away the heavy, self-made fictions of the ego, we finally learn to simply stand still, breathe, and grow unburdened toward the light. . #poetry #nature #romantic #maryoliver #self

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Let This Darkness Be a Bell Tower

Let This Darkness Be a Bell Tower

Rainer Maria Rilke

Quiet friend who has come so far, feel how your breathing makes more space around you. Let this darkness be a bell tower and you the bell. As you ring, what batters you becomes your strength. Move back and forth into the change. What is it like, such intensity of pain? If the drink is bitter, turn yourself to wine. In this uncontainable night, be the mystery at the crossroads of your senses, the meaning discovered there. And if the world has ceased to hear you, say to the silent earth: I flow. To the rushing water, speak: I am.
poetry

Rilke instructs us not to flee the heavy, obscuring shadows of existence, but to transform them into a resonant instrument that rings out across space and time. It is the ultimate expression of a defiant, transformative lightness; proving that when the self is pushed to its absolute limits, the response is not to break, but to vibrate with intense vitality. By urging us to realize that our own breath can shatter the silence, the poem unburdens the soul, turning the fleeting moment of our deepest isolation into a radical, ringing declaration of presence. #poetry #rilke #soul #self #transform

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maggie and milly and molly and may

maggie and milly and molly and may

e.e. cummings

maggie and milly and molly and may went down to the beach (to play one day) and maggie discovered a shell that sang so sweetly she couldn’t remember her troubles,and milly befriended a stranded star whose rays five languid fingers were; and molly was chased by a horrible thing which raced sideways while blowing bubbles: and may came home with a smooth round stone as small as a world and as large as alone. For whatever we lose(like a you or a me) it’s always ourselves we find in the sea
poetry

cummings uses a sun-drenched, whimsical afternoon at the shore to show how easily the heavy, complex self can be dissolved by simple, fleeting encounters with the sea. Each girl finds a different fragment of her own psyche: a shell, a starfish, a crab, a smooth stone, proving that who we are is not a rigid monument, but something fluid and beautifully untethered. It perfectly captures the spirit of July, reminding us that whenever we cast off our adult anxieties and choose to lose ourselves in play, it is always our true, unburdened self we find. #poetry #beach #spirit #sunny #shore

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It's This Way

It's This Way

Nazim Hikmet

I stand in the advancing light, my hands hungry, the world beautiful. My eyes can't get enough of the trees— they're so hopeful, so green. A sunny road runs through the mulberries, I'm at the window of the prison infirmary. I can't smell the medicines— carnations must be blooming nearby. It's this way: being captured is beside the point, the point is not to surrender.
poetry

Hikmet refutes the heavy paralysis of existential dread, asserting that even while the world fractures around us, the act of living must remain a bright and stubborn celebration. It captures a radical, unburdened lightness that does not ignore suffering, but deliberately chooses the vitality of a passing bird or a child's laughter as its sanctuary. By transforming the fleeting nature of life into a reason for joyful persistence, the poem demonstrates that the ultimate refusal to be weighed down is simply to love the world exactly as it passes. #poetry #romantic #turkish #revolution #lightness

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Do not go gentle into that good night

Do not go gentle into that good night

Dylan Thomas

Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
poetry

The perfect way to start this month can be none other than "Do not go gentle into that good night" by Dylan Thomas. Thomas’s refusal to surrender is not a heavy, desperate clinging to life, but a fierce assertion of vitality against the crushing gravity of the end. True lightness is found in this exact defiance, the radical choice to burn brightly and stay unburdened by the dark, turning a transient existence into a blazing spark. For the self, the poem demands a total casting off of passive neutrality and the polite expectations of the world. It means realizing that when the illusion of permanence fades, the ego is finally liberated to rage, laugh, and exist entirely in the intensity of the passing hour. . //Invocation//lightness// . #poetry #writing #july #lightness #dylanthomas

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The Moment

The Moment

Margaret Atwood

The moment when, after many years of hard work and a long voyage you stand in the centre of your room, house, half-acre, square mile, island, country, knowing at last how you got there, and say, I own this, is the same moment when the trees unloose their soft arms from around you, the birds take back their language, the cliffs fissure and collapse, the air moves back from you like a wave and you can’t breathe. No, they whisper. You own nothing. You were a visitor, time after time climbing the hill, planting the flag, proclaiming. We never belonged to you. You never found us. It was always the other way round.
poetry

Atwood confronts the grand illusion of human possession, capturing the exact second our prideful claim of "I own this" is quietly shattered by the natural world. It provides a radical alignment with the July theme, demonstrating that true lightness requires acknowledging we are merely transient visitors who cannot anchor a landscape to our names. By stripping away the heavy fiction of ownership, the poem unburdens the self forcing a breathless, sudden awakening to the reality that we do not possess the earth, but rather belong to it. //invocation//lightness// #poetry #nature #self #awakening #july

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issue 06June 2026Desire
Forgetfulness

Forgetfulness

Billy Collins

The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones. Long ago you kissed the names of the nine muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize the order of the planets, something else is slipping away, a state flower perhaps, the address of an uncle, the capital of Paraguay. Whatever it is you are struggling to remember, it is not poised on the tip of your tongue or even lurking in some obscure corner of your spleen. It has floated away down a dark mythological river whose name begins with an L as far as you can recall well on your own way to oblivion where you will join those who have even forgotten how to swim and how to ride a bicycle. No wonder you rise in the middle of the night to look up the date of a famous battle in a book on war. No wonder the moon in the window seems to have drifted out of a love poem that you used to know by heart.
poetry

The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion, the entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones. Long ago you kissed the names of the nine muses goodbye and watched the quadratic equation pack its bag, and even now as you memorize

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The Great Fires

The Great Fires

Jack Gilbert

Love is apart from all things. Desire and excitement are nothing beside it. It is not the body that finds love. What leads us there is the body. What is not love provokes it. What is not love quenches it. Love lays hold of everything we know. The passions which are called love also change everything to a newness at first. Passion is clearly the path but does not bring us to love. It opens the castle of our spirit so that we might find the love which is a mystery hidden there. Love is one of many great fires. Passion is a fire made of many woods, each of which gives off its special odor so we can know the many kinds that are not love. Passion is the paper and twigs that kindle the flames but cannot sustain them. Desire perishes because it tries to be love. Love is eaten away by appetite. Love does not last, but it is different from the passions that do not last. Love lasts by not lasting. Isaiah said each man walks in his own fire for his sins. Love allows us to walk in the sweet music of our particular heart.
poetry

Love is apart from all things. Desire and excitement are nothing beside it. It is not the body that finds love. What leads us there is the body. What is not love provokes it. What is not love quenches it. Love lays hold of everything we know. The passions which are called love also change everything to a newness at first. Passion is clearly the path but does not bring us to love. It opens the castle of our spirit so that we might find the love which is a mystery hidden there. Love is one of many

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The Rumination of Rivers

The Rumination of Rivers

William Bronk

I fall asleep meditating rivers— their flows, that gravity desires their deep waters, determines their pull, that dams do not stop them, that even there, behind that solid wall, their weight downs them and, released, they rage toward their easement as much as in natural falls where they gush white in frantic slams at rocks and tear at earth-banks because Earth has lured them, Sun has energized. In less watered times, other places, quietly, shallow streams sport more gently at the rocks to speak the same urges or wind themselves between like a single finger's slow caress. I think of slowness, patience, indifference to time, their endurance as, almost lost at the bottom of sculptured ruins worn and dug as canyons, their flow goes on, their intention still the same as though never was ever enough, though it is. And my mind meanders in grassy, flatter lands; in barely perceptible flow, I fall asleep.
poetry

I fall asleep meditating rivers— their flows, that gravity desires their deep waters, determines their pull, that dams do not stop them, that even there, behind that solid wall, their weight downs them and, released, they rage toward their easement as much as in natural falls where they gush white in frantic slams at rocks and tear at earth-banks because Earth has lured them, Sun has energized. In less watered times, other places, quietly, shallow streams sport more gently at the rocks to speak

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How Lucky We Are

How Lucky We Are

Gregory Orr

How lucky we are That you can’t sell A poem, that it has No value. Might As well Give it away. That poem you love, That saved your life, Wasn’t it given to you?
poetry

How lucky we are That you can’t sell A poem, that it has No value. Might As well Give it away. That poem you love, That saved your life, Wasn’t it given to you?

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Proem

Proem

Octavio Paz

At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in the garden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love. Syllables seeds.
poetry

At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the se

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Nothing Gold Can Stay

Nothing Gold Can Stay

Robert Frost

Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.
poetry

Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.

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The More Loving One

The More Loving One

W. H. Auden

Looking up at the stars, I know quite well That, for all they care, I can go to hell, But on earth indifference is the least We have to dread from man or beast. How should we like it were stars to burn With a passion for us we could not return? If equal affection cannot be, Let the more loving one be me. Admirer as I think I am Of stars that do not give a damn, I cannot, now I see them, say I missed one terribly all day. Were all stars to disappear or die, I should learn to look at an empty sky And feel its total dark sublime Though this might take me a little time. September 1957
poetry

Looking up at the stars, I know quite well That, for all they care, I can go to hell, But on earth indifference is the least We have to dread from man or beast. How should we like it were stars to burn With a passion for us we could not return? If equal affection cannot be, Let the more loving one be me. Admirer as I think I am Of stars that do not give a damn, I cannot, now I see them, say I missed one terribly all day. Were all stars to disappear or die, I should learn to look at an empty sky

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The Teapot

The Teapot

Robert Bly

That morning I heard water being poured into a teapot. The sound was an ordinary, daily, cluffy sound. But all at once, I knew you loved me. An unheard-of thing, love audible in water falling.
poetry

That morning I heard water being poured into a teapot. The sound was an ordinary, daily, cluffy sound. But all at once, I knew you loved me. An unheard-of thing, love audible in water falling.

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Untitled [This is what was bequeathed us]

Untitled [This is what was bequeathed us]

Gregory Orr

This is what was bequeathed us: This earth the beloved left And, leaving, Left to us. No other world But this one: Willows and the river And the factory With its black smokestacks. No other shore, only this bank On which the living gather. No meaning but what we find here. No purpose but what we make. That, and the beloved’s clear instructions: Turn me into song; sing me awake.
poetry

This is what was bequeathed us: This earth the beloved left And, leaving, Left to us. No other world But this one: Willows and the river And the factory With its black smokestacks. No other shore, only this bank On which the living gather. No meaning but what we find here. No purpose but what we make. That, and the beloved’s clear instructions: Turn me into song; sing me awake.

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Re-Statement of Romance

Re-Statement of Romance

Wallace Stevens

The night knows nothing of the chants of night. It is what it is as I am what I am: And in perceiving this I best perceive myself And you. Only we two may interchange Each in the other what each has to give. Only we two are one, not you and night, Nor night and I, but you and I, alone, So much alone, so deeply by ourselves, So far beyond the casual solitudes, That night is only the background of our selves, Supremely true each to its separate self, In the pale light that each upon the other throws.
poetry

The night knows nothing of the chants of night. It is what it is as I am what I am: And in perceiving this I best perceive myself And you. Only we two may interchange Each in the other what each has to give. Only we two are one, not you and night, Nor night and I, but you and I, alone, So much alone, so deeply by ourselves, So far beyond the casual solitudes, That night is only the background of our selves, Supremely true each to its separate self, In the pale light that each upon the other thro

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i carry your heart with me

i carry your heart with me

e.e. cummings

i carry your heart with me (i carry it in my heart) i am never without it (anywhere i go you go, my dear; and whatever is done by only me is your doing, my darling) i fear no fate (for you are my fate, my sweet) i want no world (for beautiful you are my world, my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than soul can hope or mind can hide) and this is the wonder that's keeping the stars apart i carry your heart (i carry it in my heart)
poetry

i carry your heart with me (i carry it in my heart) i am never without it (anywhere i go you go, my dear; and whatever is done by only me is your doing, my darling) i fear no fate (for you are my fate, my sweet) i want no world (for beautiful you are my world, my true) and it's you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life

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Fear

Fear

Kahlil Gibran

It is said that before entering the sea a river trembles with fear. She looks back at the path she has traveled, from the peaks of the mountains, the long winding road crossing forests and villages. And in front of her, she sees an ocean so vast, that to enter there seems nothing more than to disappear forever. But there is no other way. The river can not go back. Nobody can go back. To go back is impossible in existence. The river needs to take the risk of entering the ocean because only then will fear disappear, because that's where the river will know it's not about disappearing into the ocean, but of becoming the ocean.
poetry

It is said that before entering the sea a river trembles with fear. She looks back at the path she has traveled, from the peaks of the mountains, the long winding road crossing forests and villages. And in front of her, she sees an ocean so vast, that to enter there seems nothing more than to disappear forever. But there is no other way. The river can not go back. Nobody can go back. To go back is impossible in existence. The river needs to take the risk of entering the ocean because only then w

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Those Winter Sundays

Those Winter Sundays

Robert Hayden

Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him. I’d wake and hear the cold splintering, breaking. When the rooms were warm, he’d call, and slowly I would rise and dress, fearing the chronic angers of that house, Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love’s austere and lonely offices?
poetry

Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him. I’d wake and hear the cold splintering, breaking. When the rooms were warm, he’d call, and slowly I would rise and dress, fearing the chronic angers of that house, Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love’

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Days

Days

Philip Larkin

What are days for? Days are where we live. They come, they wake us Time and time over. They are to be happy in: Where can we live but days? Ah, solving that question Brings the priest and the doctor In their long coats Running over the fields.
poetry

What are days for? Days are where we live. They come, they wake us Time and time over. They are to be happy in: Where can we live but days? Ah, solving that question Brings the priest and the doctor In their long coats Running over the fields.

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Aedh Wishes for the Cloths of Heaven

Aedh Wishes for the Cloths of Heaven

W. B. Yeats

Had I the heavens’ embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
poetry

Had I the heavens’ embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.

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Pied Beauty

Pied Beauty

Gerard Manley Hopkins

Glory be to God for dappled things – For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; Landscape plotted and pieced – fold, fallow, and plough; And áll trádes, their gear and tackle and trim. All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him.
poetry

Glory be to God for dappled things – For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; Landscape plotted and pieced – fold, fallow, and plough; And áll trádes, their gear and tackle and trim. All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him.

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O Me! O Life!

O Me! O Life!

Walt Whitman

O Me! O life! of the questions of these recurring, Of the endless trains of the faithless, of cities fill’d with the foolish, Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?) Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d, Of the poor results of all, of the plodding and sordid crowds I see around me, Of the empty and useless years of the rest, with the rest me intertwined, The question, O me! so sad, recurring—What good amid these, O me, O life? Answer. That you are here—that life exists and identity, That the powerful play goes on, and you may contribute a verse.
poetry

O Me! O life! of the questions of these recurring, Of the endless trains of the faithless, of cities fill’d with the foolish, Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?) Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d, Of the poor results of all, of the plodding and sordid crowds I see around me, Of the empty and useless years of the rest, with the rest me intertwined, The question, O me! so sad, recurring—Wh

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Go to the Limits of Your Longing

Go to the Limits of Your Longing

Rainer Maria Rilke

God speaks to each of us as he makes us, then walks with us silently out of the night. These are the words we dimly hear: You, sent out beyond your recall, go to the limits of your longing. Embody me. Flare up like a flame and make big shadows I can move in. Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don’t let yourself lose me. Nearby is the country they call life. You will know it by its seriousness. Give me your hand.
poetry

God speaks to each of us as he makes us, then walks with us silently out of the night. These are the words we dimly hear: You, sent out beyond your recall, go to the limits of your longing. Embody me. Flare up like a flame and make big shadows I can move in. Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don’t let yourself lose me. Nearby is the country they call life. You will know it by its seriousness. Give me your hand.

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Siren Song

Siren Song

Margaret Atwood

This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons even though they see the beached skulls the song nobody knows because anyone who has heard it is dead, and the others can't remember. Shall I tell you the secret and if I do, will you get me out of this bird suit? I don't enjoy it here squatting on this island looking picturesque and mythical with these two feathery maniacs, I don't enjoy singing this trio, fatal and valuable. I will tell the secret to you, to you, only to you. Come closer. This song is a cry for help: Help me! Only you, only you can, you are unique at last. Alas it is a boring song but it works every time.
poetry

This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons even though they see the beached skulls the song nobody knows because anyone who has heard it is dead, and the others can't remember. Shall I tell you the secret and if I do, will you get me out of this bird suit? I don't enjoy it here squatting on this island looking picturesque and mythical with these two feathery maniacs, I don't enjoy singing this trio, fa

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My Love Is as a Fever, Longing Still (Sonnet 147)

My Love Is as a Fever, Longing Still (Sonnet 147)

William Shakespeare

My love is as a fever, longing still For that which longer nurseth the disease, Feeding on that which doth preserve the ill, Th’ uncertain sickly appetite to please. My reason, the physician to my love, Angry that his prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And frantic-mad with evermore unrest; My thoughts and my discourse as madmen’s are, At random from the truth vainly expressed: For I have sworn thee fair, and thought thee bright, Who art as black as hell, as dark as night.
poetry

My love is as a fever, longing still For that which longer nurseth the disease, Feeding on that which doth preserve the ill, Th’ uncertain sickly appetite to please. My reason, the physician to my love, Angry that his prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And frantic-mad with evermore unrest; My thoughts and my discourse as madmen’s are, At random from the truth vainly expressed: Fo

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I Loved You Before I Was Born

I Loved You Before I Was Born

Li-Young Lee

I loved you before I was born. It doesn’t make sense, I know. I saw your eyes before I had eyes to see. And I’ve lived longing for your ever look ever since. That longing entered time as this body. And the longing grew as this body waxed. And the longing grows as the body wanes. The longing will outlive this body. I loved you before I was born. It doesn’t make sense, I know. Long before eternity, I caught a glimpse of your neck and shoulders, your ankles and toes. And I’ve been lonely for you from that instant. That loneliness appeared on earth as this body. And my share of time has been nothing but your name outrunning my ever saying it clearly. Your face fleeing my ever kissing it firmly once on the mouth. In longing, I am most myself, rapt, my lamp mortal, my light hidden and singing. I give you my blank heart. Please write on it what you wish.
poetry

I loved you before I was born. It doesn’t make sense, I know. I saw your eyes before I had eyes to see. And I’ve lived longing for your ever look ever since. That longing entered time as this body. And the longing grew as this body waxed. And the longing grows as the body wanes. The longing will outlive this body. I loved you before I was born. It doesn’t make sense, I know. Long before eternity, I caught a glimpse of your neck and shoulders, your ankles and toes. And I’ve been lonely for you fr

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In the Beck

In the Beck

Kathleen Raine

There is a fish, that quivers in the pool, itself a shadow, but its shadow, clear. Catch it again and again, it still is there. Against the flowing stream, its life keeps pace with death - the impulse and the flash of grace hiding in its stillness, moves to be motionless. No net will hold it - always it will return Where the ripples settle, and the sand - It lives unmoved, equated with the stream, As flowers are fit for air, man for his dream.
poetry

There is a fish, that quivers in the pool, itself a shadow, but its shadow, clear. Catch it again and again, it still is there. Against the flowing stream, its life keeps pace with death - the impulse and the flash of grace hiding in its stillness, moves to be motionless. No net will hold it - always it will return Where the ripples settle, and the sand - It lives unmoved, equated with the stream, As flowers are fit for air, man for his dream.

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To the Rain

To the Rain

Ursula K. Le Guin

Mother rain, manifold, measureless, falling on fallow, on field and forest, on house-roof, low hovel, high tower, downwelling waters all-washing, wider than cities, softer than sisterhood, vaster than countrysides, calming, recalling: return to us, teaching our troubled souls in your ceaseless descent to fall, to be fellow, to feel to the root, to sink in, to heal, to sweeten the sea.
poetry

Mother rain, manifold, measureless, falling on fallow, on field and forest, on house-roof, low hovel, high tower, downwelling waters all-washing, wider than cities, softer than sisterhood, vaster than countrysides, calming, recalling: return to us, teaching our troubled souls in your ceaseless descent to fall, to be fellow, to feel to the root, to sink in, to heal, to sweeten the sea.

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Blind Joy

Blind Joy

John Frederick Nims

Crude seeing’s all our joy: could we discern The cold dark infinite vast where atoms burn —Lone suns—in flesh, our treasure and our play, Who’d dare to breathe this fern-thick bird-rich day?
poetry

Crude seeing’s all our joy: could we discern The cold dark infinite vast where atoms burn —Lone suns—in flesh, our treasure and our play, Who’d dare to breathe this fern-thick bird-rich day?

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Desire

Desire

Helen Hoyt

Once you were always calling me, Calling me when I could not answer, Urging me where I could not follow— So that I wished I had been born without desire, As a stone. But now many days you have left me. And in the silence I have learned your meaning. For a part of me is gone when you are gone; I am less And the world is less. O let me have my longing back again! Now gladly I will bear it; Gladly I will hold it to me, Though without release; Always. For what would be the pride of the sun itself With its light gone? O kindle me again, desire. Return to me. Return.
poetry

Once you were always calling me, Calling me when I could not answer, Urging me where I could not follow— So that I wished I had been born without desire, As a stone. But now many days you have left me. And in the silence I have learned your meaning. For a part of me is gone when you are gone; I am less And the world is less. O let me have my longing back again! Now gladly I will bear it; Gladly I will hold it to me, Though without release; Always. For what would be the pride of the sun itself Wi

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Rain

Rain

Raymond Carver

Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgiveable mistakes? Yes, given half a chance. Yes.
poetry

Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgiveable mistakes? Yes, given half a chance. Yes.

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The Whole of It

The Whole of It

Helen Meneilly

But eventually, you are cross-legged on your own sofa, in your own little apartment, eating a piece of cake topped with sugared peach and you're drenched in the wet orange joy of it. Every time you touch your fingertips to your soft pale belly, you realise: you are living. What a dream you could be wishing for in some other, darker, life: to be here, now. Bathtub full of tea, cotton bedspread speckled with a hundred blue flowers, a thrift store ceramic planter with a sunlit basil plant forming itself right before your eyes. You have come so far to love your little life so much that you would not trade a single scar. Love it so much, that the empty side of the bed is already full.
poetry

But eventually, you are cross-legged on your own sofa, in your own little apartment, eating a piece of cake topped with sugared peach and you're drenched in the wet orange joy of it. Every time you touch your fingertips to your soft pale belly, you realise: you are living. What a dream you could be wishing for in some other, darker, life: to be here, now. Bathtub full of tea, cotton bedspread speckled with a hundred blue flowers, a thrift store ceramic planter with a sunlit basil plant forming i

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Poem (the spirit likes to dress up)

Poem (the spirit likes to dress up)

Mary Oliver

The spirit likes to dress up like this: ten fingers, ten toes, shoulders, and all the rest at night in the black branches, in the morning in the blue branches of the world. It could float, of course, but would rather plumb rough matter. Airy and shapeless thing, it needs the metaphor of the body, lime and appetite, the oceanic fluids; it needs the body’s world, instinct and imagination and the dark hug of time, sweetness and tangibility, to be understood, to be more than pure light that burns where no one is — so it enters us — in the morning shines from brute comfort like a stitch of lightning; and at night lights up the deep and wondrous drownings of the body like a star.
poetry

The spirit likes to dress up like this: ten fingers, ten toes, shoulders, and all the rest at night in the black branches, in the morning in the blue branches of the world. It could float, of course, but would rather plumb rough matter. Airy and shapeless thing, it needs the metaphor of the body, lime and appetite, the oceanic fluids; it needs the body’s world, instinct and imagination and the dark hug of time, sweetness and tangibility, to be understood, to be more than pure light that burns wh

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As the Mist Leaves No Scar

As the Mist Leaves No Scar

Leonard Cohen

As the mist leaves no scar On the dark green hill, So my body leaves no scar On you, nor ever will. When wind and hawk encounter, What remains to keep? So you and I encounter Then turn, then fall to sleep. As many nights endure Without a moon or star, So will we endure When one is gone and far.
poetry

As the mist leaves no scar On the dark green hill, So my body leaves no scar On you, nor ever will. When wind and hawk encounter, What remains to keep? So you and I encounter Then turn, then fall to sleep. As many nights endure Without a moon or star, So will we endure When one is gone and far.

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Zobeide

Zobeide

Italo Calvino

poetry

The Calvino city that best represents The Jacaranda’s theme for June (Desire) is Zobeide. A city built not from a blueprint, but from a collective failure founded by men who all shared the exact same dream of chasing a woman through an unknown city at night, only to lose her at a street corner. The inhabitants do not live in an organic settlement; they live in a geometric trap, where every alleyway and wall is a hardened monument to a lost pursuit. In Zobeide, desire is entirely structural. To wander its streets is to retrace a phantom line, a constant friction against a space designed to contain a presence that has already escaped. Awareness in Zobeide is not a moment of satisfaction, but a realization of the grid: the understanding that the city remains completely intact while the initial fire has vanished, leaving the self to wander through a permanent architecture of absence. Featured alongside it is Giorgio de Chirico’s Mystery and Melancholy of a Street*(1914), The Anxious Journey (1914), and The Soothsayer's Recompense*(1913). De Chirico uses deep, hauntingly long shadows and distorted classical arcades to create a world where space itself feels like a psychological maze. In these metaphysical canvases, the empty squares and silent brick walls do not just depict a city; they embody the anxious, claustrophobic loop of the chase, mimicking the rigid gridlock of Zobeide. The plunging perspectives and isolated silhouettes feel less like a real neighborhood and more like a series of stages. A visual architecture of anxiety that forces the viewer to see the landscape as an echo chamber of an unfulfilled hunger. De Chirico’s surrealist lens echoes Zobeide’s unsettling logic. The deep, intersecting shadows and hidden corners create a labyrinth of time where the "I" is swallowed by its own obsessive memory. It is the rhythmic, silent pulse of a city that exists only through its lack, a sun-drenched, cold-cornered god that reminds us that to build a trap for desire is to find oneself permanently locked inside the maze of the chase. #italocalvino #giorgiodechirico #surrealist #metaphysical #philosophy

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Before You Came

Before You Came

Faiz Ahmed Faiz

Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing. Don’t leave now that you’re here— Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.
poetry

Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a v

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Unending Love

Unending Love

Rabindranath Tagore

I seem to have loved you in numberless forms, numberless times… In life after life, in age after age, forever. My spellbound heart has made and remade the necklace of songs, That you take as a gift, wear round your neck in your many forms, In life after life, in age after age, forever. Whenever I hear old chronicles of love, its age-old pain, Its ancient tale of being apart or together. As I stare on and on into the past, in the end you emerge, Clad in the light of a pole-star piercing the darkness of time: You become an image of what is remembered forever. You and I have floated here on the stream that brings from the fount. At the heart of time, love of one for another. We have played alongside millions of lovers, shared in the same Shy sweetness of meeting, the same distressful tears of farewell- Old love but in shapes that renew and renew forever. Today it is heaped at your feet, it has found its end in you The love of all man’s days both past and forever: Universal joy, universal sorrow, universal life. The memories of all loves merging with this one love of ours – And the songs of every poet past and forever.
poetry

I seem to have loved you in numberless forms, numberless times… In life after life, in age after age, forever. My spellbound heart has made and remade the necklace of songs, That you take as a gift, wear round your neck in your many forms, In life after life, in age after age, forever. Whenever I hear old chronicles of love, its age-old pain, Its ancient tale of being apart or together. As I stare on and on into the past, in the end you emerge, Clad in the light of a pole-star piercing the darkn

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[love is more thicker than forget]

[love is more thicker than forget]

E. E. Cummings

love is more thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea love is less always than to win less never than alive less bigger than the least begin less littler than forgive it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky
poetry

love is more thicker than forget more thinner than recall more seldom than a wave is wet more frequent than to fail it is most mad and moonly and less it shall unbe than all the sea which only is deeper than the sea love is less always than to win less never than alive less bigger than the least begin less littler than forgive it is most sane and sunly and more it cannot die than all the sky which only is higher than the sky

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What I Didn’t Know Before

What I Didn’t Know Before

Ada Limón

was how horses simply give birth to other horses. Not a baby by any means, not a creature of liminal spaces, but already a four-legged beast hellbent on walking, scrambling after the mother. A horse gives way to another horse and then suddenly there are two horses, just like that. That’s how I loved you. You, off the long train from Red Bank carrying a coffee as big as your arm, a bag with two computers swinging in it unwieldily at your side. I remember we broke into laughter when we saw each other. What was between us wasn’t a fragile thing to be coddled, cooed over. It came out fully formed, ready to run.
poetry

was how horses simply give birth to other horses. Not a baby by any means, not a creature of liminal spaces, but already a four-legged beast hellbent on walking, scrambling after the mother. A horse gives way to another horse and then suddenly there are two horses, just like that. That’s how I loved you. You, off the long train from Red Bank carrying a coffee as big as your arm, a bag with two computers swinging in it unwieldily at your side. I remember we broke into laughter when we saw each ot

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